Should I Cochlear Implant My Children?!

Say what, should I cochlear implant my children?!

LONDON, United Kingdom -- A famous motivational speaker and leading FX trader Charning Peters, a British author of "Deaf And Wealth, Peters shares the opinion and thought about the cochlear implant issue for his Deaf children.

Charning Peters encourage people how to overcome their own limitations of success. The professional guide to becoming a successful trader.

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Official - http://charningpeters.com

Buy a book: Award Winning Author - Deaf And Wealth - The professional guide to becoming a successful trader.

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'Ready To Be Heard' By Amanda McDonough

Deaf Awareness: “Ready To Be Heard” The story of actress and author, Amanda McDonough as a Deaf person.

“Ready to Be Heard” is a story for all ages written to give you an inside look at what life is like for someone growing up with deteriorating hearing loss and it is a unique look into Deaf culture from the point of view of a late Deafened adult.

For anyone looking for inspiration to help with a challenging life situation or condition, Amanda McDonough's story will provide encouragement and will help you make your voice heard.

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“Ready to Be Heard” is the story of Amanda McDonough, who was diagnosed with hearing loss at the age of 4. As she grew older, her hearing steadily declined as she battled to hide her ongoing hearing loss from her family, friends, teachers, and the world. Despite facing unbelievable challenges, she succeeded in; getting straight A’s in school, having a successful child acting career, and leading a fairly “normal” life. But one day, during the most difficult part of her college career, she awoke to discover that her remaining hearing was completely gone. She had lost 100% of her hearing in both ears. All of a sudden, she was unable to communicate with the people around her. She did not know sign language, could no longer speak well, and could not lip read. She became isolated from the world and had to finally face her hearing loss, accept that she was deaf, and find a way to finish college without being able to hear. She found the strength to teach herself to talk well again, to lip-read, and to use sign language. As she was leaning new communication skills, she also graduated from college and set out on an emotional rollercoaster ride to discover who she was and who she wanted to become. Join her on her journey to find a balance between the hearing world she was raised in and the Deaf culture she now belonged to. This is a story about overcoming obstacles, finding yourself, and making your mark on the world... visit at http://readytobeheard.com.

SOURCE - ReadyToBeHeard.com

Follow Amanda McDonough
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Official Website - http://amanda-mcdonough.com

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DeafNation World Expo - Amanda McDonough

A video of the highlights of Deaf actress Amanda McDonough's recent trip to Las Vegas for the DeafNation World Expo.

LAS VEGAS, NV -- The DeafNation World Expo at Paris Las Vegas, The event bring thousands of people into Las Vegas and is free to those who register.

Deaf actress Amanda McDonough, author of the upcoming book "Ready to Be Heard" and activist for the Deaf community, shares some wonderful tips on how to appropriately communicate with those who are hard of hearing or who have lost their hearing altogether.

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With thousands of Deaf visitors attending the conference in Las Vegas this week, McDonough tackles stigmas and how to avoid uncomfortable situations for both parties.

SOURCE - News3LV

Follow @AmandaMcDonough
Subscribe - https://youtube.com/channel/amandamcdonough
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Twitter - https://twitter.com/actingamanda
IMDb - http://imdb.me/amandamcdonough
Instagram - https://instagram.com/amanda_mcdonough/
Website - http://amanda-mcdonough.com

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What It's Like To Be A Deaf Novelist

‘Sometimes I turn off my hearing aids and dip below the surface of the sound.’ Sara Nović explains the challenges of being a Deaf author and why deafness is still used as a synonym for stupidity.

Sara Nović's first novel has recently become an audiobook to which I will not listen. The characters have been assigned voices and accents and inflections that I’ll never hear. This is not a complaint, exactly; to have written a book that someone wants to publish in any and all formats is a writer’s dream. But to hold some disc or drive that contains a thing I made, transformed into a new thing I can no longer understand, is a predicament in which few writers find themselves.

This disconnect will appear with increasing frequency as I embark on a series of literary events following the launch of my novel. As an audience member I have been to my share of readings in New York. I go because I am in love with books; I go to be with my friends. But even as a spectator they require a lot of concentration, and sometimes when I’ve worked myself into a cross-eyed headache I turn off my hearing aids and dip below the surface of the sound, let myself drift in the quiet. At my own events I won’t have the choice to opt out.

So far I have read in public only three times, each distressing in the regular ways (an audience!), with the added terror of exposing an increasingly unknowable part of myself – my voice. I can feel my words in my chest and mouth, but can’t be sure of what they sound like out in the world. As far as I’m concerned my voice has no echo; it does not stick to the tape recording. What does it mean to perform for an audience with such limited control of your output?

Books have always provided me with a sense of solace and companionship when I found the hearing world overwhelming. Growing up I filled notebooks with the things I was afraid to say aloud. Libraries, too, seem designed for me – a place where one isn’t supposed to talk, equality under the rule of silence...

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